Vanquish

Rating:5.9
Released:2021
Genres:Action, Crime, Thriller
Crew:Cinematography: Anastas N. Michos | Director: George Gallo | Writer: George Gallo | Executive Producer: Julie Lott | Casting: Donald Paul Pemrick | Casting: Dean E. Fronk | Editor: Yvan Gauthier | Producer: David E. Ornston | Producer: Richard Salvatore | Executive Producer: Barry Brooker

Trailer

 

Synopsis

Victoria is a young mother trying to put her dark past as a Russian drug courier behind her, but retired cop Damon forces Victoria to do his bidding by holding her daughter hostage. Now, Victoria must use guns, guts and a motorcycle to take out a series of violent gangsters—or she may never see her child again.




Movie Images

Cinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> imageCinematography: <strong>Anastas N. Michos</strong> | Director: <strong>George Gallo</strong> | Writer: <strong>George Gallo</strong> | Executive Producer: <strong>Julie Lott</strong> | Casting: <strong>Donald Paul Pemrick</strong> | Casting: <strong>Dean E. Fronk</strong> | Editor: <strong>Yvan Gauthier</strong> | Producer: <strong>David E. Ornston</strong> | Producer: <strong>Richard Salvatore</strong> | Executive Producer: <strong>Barry Brooker</strong> image


Reviews

JPV852

I actually like Ruby Rose, not a great actress for sure but can be entertaining but she seemed to have quickly devolved into direct-to-video territory with this and her previous film, The Doorman, neither would've gotten a theatrical release even without COVID-19. Anyway, this one could've been passably entertaining if not for the terrible editing, atrocious photography (not sure what was with the green tint or over-saturation of colors in other scenes.

Also doesn't help it was predictable. Oh, and Morgan Freeman takes another paycheck, this one spending his entire time in a wheelchair and pretty much in one location. 2.0/5


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