|Genres:||Action, Drama, Thriller, War|
|Crew:||Casting: Gail Stevens | Director: Jonathan Mostow | Costume Design: April Ferry | Production Design: Götz Weidner | Assistant Costume Designer: Donna Berwick | Producer: Dino De Laurentiis | Art Direction: Marco Trentini | Set Decoration: Robert Gould | Editor: Wayne Wahrman | Camera Operator: Daniele Massaccesi|
In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
Can you forgive the film makers their sins?
Once in a while there comes a time when a film lover has their patience snapped, that we can't surely accept in this instance that poetic license is OK as an excuse purely for Hollywood to make a piece of entertainment. U-571 pretty much rips up the history books for its own ends, something that would see even the film makers themselves bow their heads during the years that followed. However...
As a drama - cum - thriller, Jonathan Mostow's film is top end. There's some iffy acting in the support slots, but the production is still excellently put together. Suspense down below in the submarine is high anxiety, the tactics of war in the Atlantic superbly written, while the finale face off is edge of the seat gripping. It's these things that has let U-571 gain decent ratings on the main internet movie sites.
Taken as a piece of Hollywood guff, it's a rocking war movie, one that also sounds absolutely tremendous through home cinema systems. As long as you accept it as guff - regardless of your nationality, then there is a great time to be had. But just as with films like Braveheart, do familiarise yourselves with the facts afterwards. 6/10